Oppenheimer is the story of the man who invented The Bomb. By the time World War II erupts, J. Robert Oppenheimer (Cillian Murphy) is one of the top American theoretical physicists. His rise to prominence catches the eye the U.S. Government, particularly Lt. Leslie Groves (Matt Damon). After learning that Nazi Germany has already begun experimental work on developing atomic weapons, Groves recruits Oppenheimer to head up a domestic rival codenamed The Manhattan Project. As Oppenheimer manages the U.S. side of an escalating arms race, he becomes embroiled in serious questions of ethics, consequences, and the repercussions of his scientific contributions.
What works in Oppenheimer is the symphony of talent playing harmoniously across nearly every aspect of film. Superior acting, directing, writing, music, editing, visuals, sound, costumes, production design—Oppenheimer has it all. Conducting this orchestra is writer/director Christopher Nolan (Dunkirk, The Dark Knight) who appears to have heeded every lesson learned from his accomplished career. Despite being nearly three hours long, Oppenheimer moves at an electric pace but is yet always engaging and relatable. This is largely due to one of the most impressive ensembles of performances ever to grace the screen. Audiences will exit the theater having a deep connection to Murphy’s Oppenheimer—both his internal moral quandaries and also the turbulence external forces constantly putting pressure on him. Oppenheimer is the rare cinematic gem that is greater than the sum of its parts…and its parts are already exceptional.
RELATED: Oppenheimer Featurette Titled Pushing the Button Explores Christopher Nolan’s Vision
There are two elements of Oppenheimer that may not appeal to audiences: length and representation. As mentioned, Nolan’s historical epic is a long ride. While the proceedings attempt to captivate through nearly every frame, the film is admittedly a bit of a marathon. Second, Oppenheimer’s cast (and focus) is on white men. While the racial component of this may be (perhaps weakly) justified by historical recreation, Nolan’s lack of attention on women—particularly the female scientists who worked on The Manhattan Project—is disappointing.
Oppenheimer is a marvel of a movie. Nolan proves to be a modern master of the craft as he puts together what will likely be a top contender for the best film of 2023. It’s not a question of will Oppenheimer get nominated for Academy Awards—it’s how many. Highly recommended for all audiences, specifically a theatrical experience to enjoy the spectacle in all its glory.
Recommended if you Enjoyed: A Beautiful Mind, Dunkirk
Oppenheimer is available exclusively in theaters starting on July 21st.
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